Different possible ways of playing diminished arpeggios in the style of Michael Romeo and Jeff Loomis.

An introduction to the dark and eeire sounds of the diminished scale.

A little Bossa with a lot of diminished chord played three times using single line, octaves and chord melody. Suitable for beginners.

This lesson is focus on 3 different aspects of playing - dynamics, arpeggios and funk-blues phrasing. There are also a few examples of augmented and diminished scales usage in blues progression.

This neoclassical piece demonstrates arpeggio triads played in combination of slide and picking. This approach is similar to Yngwie Malmsteen's technique.

Learn about the half / whole diminished scale and improve your bending, vibrato and legato at the same time.

Using a diminished arpeggio in a Mixolydian context can really help your ideas. This lesson will show you how.

Soloing over the same backing track used for Part 1. No hard chops here, only alternate picking and 16th notes mostly, 80bpm is the tempo. There's only one tiny difference compared to Part 1 and that's time duration of each key.

We'll study the seven arpeggios found in the scale of G Dorian. The concept is very simple.